Works of Art: Retention in the UK

11. What advice his Department provides to institutions seeking to retain pre-eminent works of art in the UK.

My Department, in partnership with Arts Council England, delivers and advises on various statutory schemes that are designed to keep items of particular cultural significance in the UK, such as the judge’s copy of “Lady Chatterley’s Lover” from the obscenity trial in 1960. The statutory schemes include various tax incentives to assist UK public institutions in acquiring pre-eminent items.

Seeing as we are all in the business of burnishing our thespian credentials this morning, may I refer back to the time at my little-known secondary school when I was a very convincing Badger in “Toad of Toad Hall”? It was somewhat safer to be a badger in those days.

Will the Minister ensure that in the event of a foreign purchaser refusing a matching offer, an absolute ban on future export can be enforced by compelling him or her to keep the item on display in a recognised public institution and pay any insurance, rather than expecting Government indemnity?

Might there be photographic evidence of the right hon. Gentleman’s performance that could be made available to Members of the House?

Well, in school I played Sir Roderic Murgatroyd from Gilbert and Sullivan. I felt that I had to mention that.

The Government are currently considering the results of a consultation on strengthening the process for retaining national treasures. When an owner or foreign purchaser wishes to export a national treasure and does not accept the matching offer from a public body that has taken the trouble to raise the funds to purchase it, that will be taken into account when making a decision on the export licence application and a licence will normally be refused. However, the owner is not currently compelled to display the item. We are looking at that in greater detail at the moment through the consultation.