Scotland’s Architectural Heritage

The Mack runs through our personal lives as much as it does through the life of the nation.

In my constituency, I have many friends who are alumni of the Mack, such as my good friend Calum Angus Mackay, a photographer, painter and TV producer, who only recently produced a retrospective of 40 years of work since he left the Mack; Roddy Murray, the director of An Lanntair art gallery, ex-Dreamboy, local hero, actor and writer; his cousin, Ishbel Murray, and her brother Kenneth, who are both teachers and fine artists; Maggie Smith, a Harris tweed designer; Kenneth Burns, a landscape painter who has chronicled Glasgow and his native islands; Christine Davidson; and many others. Outwith the islands, there is Andy Scott, the internationally renowned figurative sculpture of the Kelpies, and my friend David Pratt, a photojournalist and war correspondent, who turned his unflinching lens on the flames of the art school as it was consumed a second time.

The impact and influence of the art school has been profound on all our lives—not just on those who were lucky enough to pass through its doors. Its structure is integral to Scotland’s identity and central to the image of brand Scotland we want to portray, and an asset to the UK on the world stage.

I am told that revised costs and completion dates will not be available until early 2025. Leading architects, politicians—such as my good friend Paul Sweeney MSP, formerly of this House—and heritage experts have expressed dismay at the lack of progress. They fear, as do many others who have the best interests of the art school at heart, that the project is faltering. The Mack is a landmark of national importance, and we are all collectively the custodians of it.

In terms of the existing routes and channels through which funding for heritage in the UK is delivered, DCMS delivers two UK-wide funding programmes—the listed places of worship grant scheme and the memorial grant scheme. They fund heritage in places of worship and charities across the country. Unfortunately, that means that neither of the programmes would be appropriate for the restoration. DCMS’s arm’s length bodies deliver the most significant support for the wider heritage sector, and I encourage my hon. Friend to speak to them in relation to the Glasgow School of Art’s work on rebuilding the Mackintosh building.

First, my hon. Friend may wish to consider an application for funding from the National Lottery Heritage Fund. Since 1994, the fund has awarded more than £970 million of national lottery and other funding to 5,000 projects in Scotland. The Heritage Fund previously provided a grant of £4.7 million in 2005 to the Glasgow School of Art, which saw original features of the building restored and unsympathetic additions removed. The grant also allowed for conservation work on the school’s collections, encouraging visitor access to all its heritage assets. Later, in 2017, it provided a grant of £3.5 million to the restoration of Charles Rennie Mackintosh’s Willow Tea Rooms building at 217 Sauchiehall Street in Glasgow. This year, Glasgow was selected as one of the first 11 priority places to receive a share of £200 million through the Heritage Fund’s heritage places initiative. This began with a grant of £350,000 to Glasgow Life to plan and develop a cultural heritage district on the city’s iconic Sauchiehall Street. Given that, although the decision would be for the Heritage Fund, I hope that my hon. Friend will consider an application.

Secondly, I highlight the National Heritage Memorial Fund as a source of UK-wide heritage funding that may be appropriate in relation to the Mackintosh building. It has historically dedicated funds to save Scottish architectural heritage; notably, this year, it gave a grant of £5.3 million to save Mavisbank House just outside Edinburgh. I encourage my hon. Friend to speak to the fund about the available options. Finally, he may wish to encourage an application to the Architectural Heritage Fund, with which DCMS works closely. It has helped to bring the new Galloway town hall in Dumfries and Galloway into community ownership by providing successive project viability and development grants of between £5,000 and £10,000. This project in particular highlights how we can empower local communities to take ownership of their heritage by bringing neglected historic buildings back into use.

Whether providing funding via our existing grant programmes or through our arm’s length bodies, we want to ensure that people’s access to heritage and other creative industries is not limited by where they live or how much they earn. From the Isles of Scilly to the Western Isles, DCMS is committed to making that ambition a reality. Put simply, it is the ambition of this Government to support organisations and individuals who protect our heritage and encourage access for all. We want to use that heritage to attract tourists from around the world, providing jobs in local communities and boosting growth, and of course we want to see that happen across Scotland and throughout the UK. We know that restoring and maintaining heritage assets of all shapes and sizes is an investment into community and helps to boost the local economy. Ensuring that everyone has access to these assets brings a renewed sense of pride and commitment to the area. As well as creating social cohesion and inclusion in local communities, heritage plays an important role in supporting wellbeing and quality of life.

This debate reminds us of the wealth and value of Scotland’s architectural heritage, including the historic Mackintosh building, and why it is so important to ensure that we all have access to it. Although this is a devolved matter, I have highlighted how this Government and our arm’s length bodies play a vital role in supporting Scotland’s architectural heritage. We are open and willing to facilitate conversations with organisations such as the National Lottery Heritage Fund and the National Heritage Memorial Fund to expedite the restoration of the Mackintosh building, as my hon. Friend the Member for Na h-Eileanan an Iar rightly and passionately outlined. I will relay the contents of this debate and his ask to the Minister for Creative Industries, Arts and Tourism, my hon. Friend the Member for Rhondda and Ogmore, and I am sure that he will do everything he can to work with him. As we look to the future, this Government will continue to work with the Scottish Government and all the devolved Administrations to ensure that the UK’s heritage is protected and accessible to all.