It would be churlish of me not to recognise England’s wonderful victory in the world cup last night, but there is only one European nation that has three points at the world cup without conceding a goal, and that is indeed Scotland—the new favourites to lift the trophy.
Culture, Media and Sport Ministers have had no recent discussions with counterparts in the Hellenic Republic on mutual exchanges of cultural artefacts. As the hon. Member knows, the Parthenon sculptures are legally owned by the trustees of the British Museum. The chair of the museum has been in discussions with the Greek Government about a partnership, including reciprocal loans. As I said to the hon. Gentleman from the Dispatch Box last time, this Government would not stand in the way if such loans were agreed.
There is an opportunity for another victory for the United Kingdom if we can find a way of co-operating. Clinging on to half of the Parthenon sculptures while assuring ourselves that we own them, when they were obtained in, at best, highly dubious circumstances two centuries ago, is not a great look for this country. Does the Minister agree that the imminent restoration of the British Museum provides the museum and the Government with a golden opportunity to engage in what would be a better look for this country—a gracious act, reflecting a partnership and a shared love of classical history, but also natural justice—and to see all the sculptures displayed in Athens, where they belong?
I can only repeat what I have said in previous answers and in my initial response to the hon. Gentleman. The sculptures are owned by the British Museum. The chair of the trustees, the former Chancellor—the hon. Gentleman’s Chancellor in the coalition Government—has had talks with Greek Ministers on this issue to seek a constructive partnership. We support those talks, but it is for the British Museum trustees to reach an agreement with the Greek Government. As I have said, we would not stand in the way if such an agreement was put in place.
This Government believe that every child in this country has the right to access high-quality arts provision, including music and dance, which gives young people the chance to live a richer, larger life. I am really pleased to tell the House that the music and dance scheme’s allocation of future funding for this financial year represents an increase on the commitment of the previous year.
I thank the Secretary of State for her response. Wells Cathedral school is in my constituency, and it has 80 young people who are on the music and dance scheme. It is a fantastic scheme, and I pay tribute to the outgoing headteacher, Alastair Tighe, who has done his very best to ensure that the scheme reaches deep into the community and those from less advantaged backgrounds, including one of our local cleaners—she is able to pay just £200 a year for what is a £50,000 a year education. However, there has been a 10-year drift between inflation and the amount of the money that the scheme receives. Can the Secretary of State have another look at this issue and make it absolutely certain that pupils benefit from better funding—
I join the hon. Lady in paying tribute to Alastair Tighe and all the people who make this commitment real. They change children’s lives, and this Government cannot do that alone from Whitehall. What we can do, however, is fund such schemes adequately. Even in these difficult financial circumstances, we made a £36.5 million commitment to the music and dance scheme last year, and we have increased that by £1.3 million to ensure that it can continue.
Musical theatre and dance are important parts of the creative industries. Kristian Thomas Company in my constituency provides extensive training for young people aged four upwards, up to formal qualifications at BTEC and foundation degree level. What financial support is given to organisations such as KTC so that they can continue offering valuable education in the arts for all young people in North West Leicestershire?
My hon. Friend is a great champion for North West Leicestershire and for all the young people in her constituency. As I said to the hon. Member for Wells and Mendip Hills (Tessa Munt), we have been investing in music and dance in particular, but we have also invested £425 million in the creative foundations fund to support arts venues across the country, because one of the key things that we have identified is that it is not just about the bursaries that we provide to enable access for all; it is about those institutions existing in every part of the country.
The Secretary of State will know that the music and dance scheme supports so many talented young performers from lower-income backgrounds to access an arts education. She will also know that such specialist schools and conservatoires are now subject to VAT, because of changes brought in by her Government. In many cases, the bursaries do not even begin to cover the extreme costs, which are made up by family members, parents and everybody clubbing together to try to find the money. The VAT is still there, and it still makes a difference to whether they can afford it. What assessment has the Department made of the number of families paying VAT on the remaining fees, and how many talented young artists are now unable to attend as a result? I think I heard her right in saying that the bursaries will continue in the 2026-27 academic year, but could she please confirm that?
I am very happy to confirm that the bursaries will continue in the 2026-27 academic year, and we have been able to increase the amount of funding available, which is a recognition of the cost pressures that families face. I very much agree with the hon. Member that bursaries are absolutely essential, which is why we have protected them even in these difficult financial circumstances. However, she will recognise the difficult circumstances we inherited from the previous Government. We have done our best to protect such things, and in the case of music and dance, we have been able to uplift the funding available.
Will the Secretary of State join me in congratulating Sam Ashford and the Livewire theatre in Harlow on 25 years of supporting young people into music, dance and the theatre with its hard-hitting shows? I pay particular tribute to the work it did to support young people remotely during covid.
Of course, I will. I appreciate the efforts that my hon. Friend puts in not just to ensure that Harlow is referenced in this Chamber at every opportunity, but, sincerely, to change the lives of young people in Harlow and across the whole country. He really is one of the best champions for young people in this House.
Responsibility for managing and funding UNESCO world heritage sites is devolved to local authorities and the devolved Governments. As such, the Department for Culture, Media and Sport does not typically provide direct funding. Heritage sites can apply for UK Government funding through our arm’s length bodies, notably the National Lottery Heritage Fund and Historic England, which can provide support to world heritage sites through capital grants for conservation, education and community resilience projects.
Cromford Mills in Derbyshire Dales was the world’s first water-powered cotton spinning mill and the birthplace of mass production. In recent decades the Arkwright Society has transformed this UNESCO world heritage site into the much-loved tourist attraction it is today. However, the renewal of the site is not yet complete, with another £1.2 million in match funding needed to help secure its financial viability. Will the Minister therefore agree to officials meeting the Arkwright Society to see what support the Department can give to help Cromford Mill secure this much-needed financial support?