I completely agree, and it shows the power of film and culture to tell such stories.
Mother and baby homes were open in Ireland for more than seven decades until the 1990s. During that time, 56,000 so-called fallen women were sent to those cruel institutions, and 57,000 children were born or placed in them. The women’s only crime was the perceived sin of becoming pregnant outside of marriage. There they suffered the most horrific mistreatment and abuse. Women were used as unpaid labour. Others, like Philomena, had their children forcibly adopted, sometimes overseas, never to be seen again. Too many women died in these institutions, and infant mortality was shockingly high.
Many survivors who escaped moved to Britain as a direct result of the mistreatment they experienced in mother and baby homes. In some cases, they came because they thought that disappearing from Ireland was the only way to protect their families’ reputations. Thousands came to this country for a fresh start and to build a new life, but they carried with them a great deal of internalised shame as well as the secret of what had happened to them. For lots of survivors, including Philomena, it was not until much later in life that they felt able to confront what had happened to them and share the details of those traumatic years with their families, often revealing long-lost relatives in the process.
It was a significant day in 2021 when survivors finally received an apology from the then Taoiseach Micheál Martin for what he described as:
“the profound, generational wrong visited upon Irish mothers and their children”.
That was followed by the mother and baby institutions payment scheme to provide compensation for what happened to them. The scheme opened to applications in March 2021. It represents a measure of accountability for what happened and aims to acknowledge the suffering, and improve the circumstances, of former residents of mother and baby homes.