Instrumental Music Tuition

Motion made, and Question proposed, That this House do now adjourn.—(Iain Stewart.)

When I informed constituents that I had this debate tonight, I said that it could start before 10 o’clock. I see that we have an extra 40 seconds for tonight’s Adjournment debate, which I will make sure that I use to their full effect.

It is a pleasure to lead tonight’s debate on the importance of instrumental music tuition for young people. I should say from the outset that I have no real link to this subject, having absolutely zero musical talent. At school, I went through various different instruments to try to find the one that I could adopt to play, but all to no avail. In the end, the only instrument that I was entrusted with was the triangle and, if I do say so, I think I am a pretty good triangle player, but that is another story.

Despite my own lack of ability, it is clear that, as MP for Moray, I represent an area rich in musical talent. In my time as a councillor, an MSP and now an MP, one of the most enjoyable invitations that I receive is to the concerts of the Moray Schools Youth Orchestra and Training Orchestra.

I warmly congratulate the hon. Gentleman on leading this debate on a very important issue. I am sure that he agrees that nobody should ever be priced out of music tuition, which is absolutely vital. Will he also join me in congratulating many brass bands, including Blaenavon band in my constituency, that also do so much to engage young people in music?

I am grateful to the hon. Gentleman for that intervention. I will come on to the issues about fees and potentially prohibiting people from enjoying music to its full effect. The brass band in his constituency and those in constituencies across the country do great work, engaging young people and people of all ages in music.

I was just saying that the most enjoyable invitations that I receive are to the concerts of the Moray Schools Youth Orchestra and Training Orchestra. It is clear that the hard work and dedication of all the pupils and the instructors always leaves the audiences calling for more. In particular, the summer concert is the culmination of a week of training and guidance by the instructors and Nigel Boddice MBE, with the concerts at the end of the week always proving extremely popular. It is clear how much the young people develop over that week, and how the skills they learn will stay with them for a lifetime.

I applied for this evening’s debate after the SNP-led Moray Council proposed increasing the cost of music tuition in Moray by a staggering 85%. As this is both a devolved issue in terms of council funding and a local council matter, I had opponents saying that I should not get involved. However, as a Member of Parliament, I think my first duty is as a representative, and when a huge number of parents, constituents and pupils contacted me to protest against these charges, I felt that I had to show my support in some way.

I thank the hon. Gentleman for giving way and I congratulate him on bringing this matter forward. Does he not agree that funding cuts to schools have meant that many schools have had to cut their additional programmes, and that music very often is the first to go? More Government emphasis and dedicated funding to schools will ensure that people whose parents cannot afford to pay for private lessons have at least an avenue to see children introduced to the wonderful world of music. I know some people in my constituency who had an opportunity at school to learn music, and who are now talented people who can earn an extra income. Those are the possibilities that exist for those who have the opportunity.

I am very grateful for that intervention by the hon. Gentleman who is an assiduous participant in these Adjournment debates. He raises two or three issues that I am going to come on to in the remainder of my speech about ensuring that we do not price people out of music. I am talking about not just the musical talent that people develop as they go through music instruction, but the benefits to the wider community that are sometimes forgotten. I will expand further on those points later in my speech.

As bitter a blow as the announcement of the fee increases was, the knock-on effect was just as significant. Our valued, talented and hugely respected head of music instruction service, John Mustard, resigned from his position after 30 years of dedicated and loyal service. John specifically blamed the increase in charging for his decision. He said:

“The reason is simple, I cannot agree with the decision by the council to raise the cost of music lessons by 85% to what will be the highest level in Scotland. In a low wage economy such as Moray this will have the effect of depriving many young people of a valuable skill and pleasure for life. I regret this deeply but I cannot be part of a decision that will do so much damage to a service I have built up to national acclaim over the last 30 years.”

Can the hon. Gentleman tell us whether the Conservative group on Moray Council have put forward alternative proposals for the budget given that it abandoned the administration last year? If they had put forward alternative proposals, they might have avoided these rises.

The hon. Gentleman is perhaps not aware—only reading the SNP’s spin—that the reason that the Scottish Conservatives left the administration on Moray Council was because the SNP councillors, the independent councillors and all the other councillors would not countenance a proposal to reduce the senior management level at Moray Council in order to save hundreds of thousands of pounds to protect the services that we are speaking about today. He asked whether the Conservatives put forward an alternative proposal; yes, they did. They opposed the 85% increase in fees, but the SNP said, “No, it has to go ahead.” As I will mention in a moment, the SNP has now gone back on that decision. After ignoring the Scottish Conservative councillors at the budget meeting in January, the SNP councillors are now following some of the advice we gave them. I just hope that they go a bit further at the full budget meeting on Wednesday.

It should not have come to this. John and his team have nurtured so many talented individuals in Moray who have gone on to perform across the world.

Does my hon. Friend agree that John and many of the teachers and tutors who provide music education in schools across the United Kingdom go above and beyond, often giving up their spare time to put on the fantastic efforts that many of us go to see in our constituencies?

My hon. Friend is a passionate advocate for her area, and what she experiences in Angus is exactly what we have experienced in Moray. People like John go above and beyond their remit in the education department to do so much more.

I want to say a huge thank you to John for everything he has done for music in Moray. Without him, I am sure that the service would not have reached the popularity it has or gained the respect that it rightly receives. I asked Nigel Boddice for his thoughts on John’s resignation, and he summed it up perfectly by saying:

“The loss of John Mustard due to the increase of fees feels like a bereavement to me personally and I’m sure to the community at large. 30 years of talent, skill, musicianship of the highest possible order has been invested in your youth. Moray will now become a cultural desert I fear. With John’s departure music has lost out, but worse, so has the youth of tomorrow and the community.”

To follow on from the intervention of the hon. Member for Glasgow North (Patrick Grady), I can confirm that the SNP-led administration have now scaled back their proposed fee increase to 20%, but this will still have a damaging effect. When fees were increased by 20% a couple of years ago, the service saw a 15% drop-out rate. For a service that reaches more than 800 young people in Moray, that is a concerning statistic. I also know that about a dozen pupils withdrew from the service all together in the weeks since the 85% increase was announced—their joy and passion for music cut short because of a short-sighted cut.

In the time remaining, I will discuss why the service is so important in Moray, Scotland and across the UK.

It may not come as a surprise that the SNP-led South Ayrshire Council has also increased the cost of music tuition, which has excluded some people. Although it has made provision for the less well-off, it has still put people out of pocket. At a time when creative subjects such as music have never been more important to individuals or to the economy, is the question not simply: why do we charge at all for musical instrument tuition lessons throughout schools in the UK? Should we not bring an end to charges throughout the United Kingdom? It is not necessary and we could give these people a great opportunity in music.

My hon. Friend leads me on to a recent report of the Scottish Parliament’s Education and Skills Committee, which looked at that point and several others. Importantly, the report examined the benefits of music education. Students contributing to the report pointed out the transferable skills that learning to play an instrument can build, such as dexterity, creative problem-solving and focus.

In the report Alastair Orr, an instrumental music teacher, mentioned the UCL Institute of Research and a 2015 report which highlighted that children receiving music tuition show heightened literacy, numeracy and social skills. He said:

“Any investment in instrumental and vocal education by local and national governments is more than returned by the contribution of young people to the cultural, educational and social fabric of our country.”

My hon. Friend mentions my constituent Alastair Orr. I hope that he will join me in paying tribute to Alastair Orr and many others throughout Scotland who have led an amazing campaign in support of music tuition. Does my hon. Friend agree with Alastair Orr that the current situation in Scotland is a shambolic lottery? In Inverclyde, it costs £117 a year for music instrument tuition, whereas it costs £524 in Clackmannanshire and £268 in Stirling. It is a shambolic lottery, is it not?

I agree with my hon. Friend. I pay tribute to Alastair Orr. Like many people, Alastair contacted me ahead of this debate keen to input his undoubted wisdom on this subject. The postcode lottery element is significant. I find it strange and disappointing that SNP Ministers in the Scottish Parliament will criticise local councils such as Midlothian for their plans because they are Labour-led but will not criticise SNP-led Moray Council for similar plans. We have to ensure that there is not a postcode lottery and that there are opportunities for our young people across Scotland and across the UK to access music tuition.

Perhaps it might help the debate if we keep it to the benefits of music tuition itself. The hon. Gentleman mentioned the cultural benefits. For communities such as mine in Orkney and Shetland, the availability of tuition in schools has been enormously important in the maintenance and growing of traditional music that is indigenous to our island communities. Should that not be given greater value, be it by councils or government at any level?

I respect what the right hon. Gentleman has said. In my previous role as a Member of the Scottish Parliament, I represented those islands as part of the wider highlands and islands region. There is undoubted talent within the islands, and that has spread further now. Musicians from Orkney and from Shetland are going on to receive national acclaim, and that shows how important such traditional music is.