I rise to highlight the case of the Ultimate Picture Palace in my constituency, which shows the need for Government support for community assets.
The Ultimate Picture Palace is the only remaining independent cinema in Oxford. Founded in 1911, it shows an eclectic mix of independent, international and classic films, all in its cosy single-screen auditorium. This beautiful cinema is a real landmark in Jeune Street, abutting Cowley Road in the heart of east Oxford. It was built when dangerously flammable outdoor screenings were being replaced with screenings in safer buildings. The heritage of tented outdoor shows is clear in the beautiful art deco building, not least because of the original box office window, which opens straight out on to the street. The team of staff and volunteers who run the cinema is small but passionate.
In 2022, the cinema became community-owned when 1,200 local people took a stake in it. It is a vibrant place, defying national trends in ticket sales. At a time when thousands of community assets have closed, the UPP stands as a reminder that a different model is possible, and that that model works. It aims to be a leader in community cinema, empowering local people to determine the future of this neighbourhood venue and enabling all local residents, from families to young people, students, workers and community groups, to be uplifted through the joy of cinema. It has hosted numerous festivals, and it really does cater for all. Last year, it screened a wider variety of films than any other cinema in the city, as well as attracting new audiences by, for example, introducing special “Kino Kids” screenings, and through the development of a new education programme. The cinema’s relaxed and welcoming atmosphere means that anyone can come and enjoy a film, whether on their own or with friends or family.
I have heard many wonderful stories about the way in which this small community cinema has shaped local people’s lives. One of the most moving was the story of a new year’s eve screening 50 years ago; it was when a resident who had moved to Oxford finally felt at home in my city. Dame Pippa Harris, co-producer of the Oscar-winning film “Hamnet”, came to the UPP as a young person, and has said,
“Big dreams started in that little cinema and I’m lucky my dream came true”.
Perhaps my favourite quote about the cinema came from the sadly late true Oxford original Bill Heine, who said of his approach to the cinema when he ran it:
“Look, if you’re going to sail why not sail in dangerous waters. Who wants to play around on the beach?”
The UPP has a truly incredible, storied history, from legal fights with Stanley Kubrick and the BBC to the squatted “Section 6” cinema, right through to today’s community ownership.
To be fit for the future, this special cinema needs to invest in better access, sightlines and sound quality, and more efficient use of energy. It has planning permission for those changes, and funders who are keen to support them if their requirements for a long-term lease are met—but herein lies the problem. The landlord of this community-owned asset, Oriel College, will not commit to such a long-term lease. That is because, it appears, the building is in the footprint of its plans for a “fifth quad” to accommodate graduate students. The idea of the cinema’s being used for that purpose strikes me, and local residents, as very strange. The building is Grade II listed, which reflects its historical status and striking exterior and interior. It is one of the oldest independent cinemas in England, and the only one that is community-owned.