Bayeux Tapestry Exhibition

I would like to see one of the many replicas of the Bayeux tapestry put on display in Hastings. I cannot think of any better place to be named the UK’s town of culture, which Hastings hopes to be named next year.

First, we must ensure that the benefits of the visit are felt outside London. As the hon. Lady said, the visit is being organised by the British Museum, so while it is important that London gets its share of the tourism spend that will come with the tapestry’s visit, that spend is vitally needed in our constituencies. The British Museum and other organisations must set up a clear programme to ensure that visits to the tapestry secure visits to our constituencies, and vice versa, so that people who would normally have just visited the historical sites in 1066 country will be encouraged to visit the exhibition of the tapestry.

Secondly, how often do schoolchildren get to feel that their local history is as important as this? The tapestry is a major exhibit and its visit is a major historical event, so it is really important that local schoolchildren get to visit the tapestry, and that the exhibition is made affordable and accessible to them. There will be opportunities for schoolchildren from across the country to visit the exhibition, but let us ensure that the programme is really supportive of our local schoolchildren.

To finish, I will mention a fantastic community project, the La Mora tapestry project, that demonstrates that our history is an ongoing part of our local culture, not something newly discovered. Christina Greene and her team are replicating elements of the tapestry that relate to the La Mora, the ship in which William sailed. For some time now, residents in my constituency have been able to visit Battle library and take time to carefully stitch parts of the replica tapestry, under the watchful eye of Christina, who ensures they are using the right techniques. They have done an amazing job researching wools, so the wools that they use are the same or as close as we can get to the wools that were originally used. Even more incredibly, she noticed, as I am sure other historians will have done, the absence of the female voice in the historical documents, including the tapestry, which tells a very male-centric story. William’s wife, the queen, is thought to be a major player and to have helped to commission the boat, so new bits of the story are being added to the tapestry that focus on her role, which is great for the schoolgirls who come to take part in the sewing of the tapestry.

The tapestry is already part of our history locally, and we make day-to-day use of it culturally and historically. Let us ensure that the Bayeux tapestry’s visit helps to weave some new stories, projects and ideas. It is great opportunity to do that. I really want the Government to work with the British Museum, which is co-operating and with which we are having more productive discussions, but the efforts of the Minister to keep that all on track would be greatly appreciated.

The Bayeux tapestry will be on display at the British Museum from September 2026 through to July 2027. I thank the British Museum for working so hard to enable this exhibition, and for its generosity in loaning the Sutton Hoo treasures, the Lewis chess pieces and more than 220 drawings by Renaissance masters from its collection to museums in Caen and Rouen in Normandy for displays in 2027 to coincide with the celebration of the year of the Normans, marking 1,000 years since the birth of William the Conqueror. I am not sure if the hon. Member for Strangford (Jim Shannon) remembers the birth of William the Conqueror.

The museum is working with a range of stakeholders in the Hastings and Battle area to ensure that the local community is engaged with the exhibition. I will take away the issues raised by my hon. Friend the Member for Hastings and Rye about making sure not just that people can get to London, but that tourists and others can go to 1066 country to see what is there. That will improve the tourist economy and the experience of the tapestry being here.

More generally, 2027 marks 1,000 years since the birth of William the Conqueror. The region of Normandy is marking that with a wide-ranging series of activities, including on an international level. That will involve Scandinavia, where the Normans originally came from, and areas that their influence reached, such as Ireland, Sicily and the south of Italy, and, of course, our country. This is a unique opportunity to deepen and engage the public in the UK-France relationship. That will happen alongside wider work on the Year of the Normans and the strength of our cultural partnerships, such as those between the British Film Institute and the French Centre National du Cinéma, and between the national heritage bodies of both countries.

Furthermore, in 2027, the Grand Départs of both the Tour de France and the Tour de Frances Femmes will be in the UK, with one being in Edinburgh. That is another demonstration of the close links between the UK and France. My hon. Friend the Member for Hastings and Rye mentioned potholes in her constituency—I hope ours are filled in by the time the cyclists come to Edinburgh. That is a challenge for the local authority in Scotland.

In this increasingly polarised and divided world, the links that culture and sport can create are more important than ever, especially with our close neighbours, with whom we share so much history. However, I wish no luck whatsoever to the French rugby union team, which is coming to Murrayfield a week on Saturday for the six nations. Those cultural and sporting links are important to us all.

Of course, the battle of Hastings is not the only historic event represented in the tapestry. It starts by showing Harold swearing a solemn oath in Normandy in 1064 after being shipwrecked there. The oath is widely assumed to be in support of William’s claim to the throne of England. The tapestry then shows King Edward the Confessor’s funeral at Westminster Abbey, after which Harold claims the throne. It then depicts ships being built in Normandy, as William prepares an invasion after Harold is crowned King of England, before moving on to events in England before the battle, but after William and his army landed at Pevensey Bay in East Sussex, where William ordered a castle to be built.

The battle of Hastings itself is then depicted. At one point, William raises his helmet to show his troops that he is still alive. That is followed by the famous scene that seems to show King Harold being killed by an arrow in his eye. The tapestry gives an account of how William the Conqueror came to power in England. As it was likely to have been made on the orders of William’s half-brother, Bishop Odo, it is obviously an account written—or rather, embroidered—by the victors.

This is a national event, so many other Members of the House will have a keen interest in the tapestry coming here and in the legacy of the Normans, as it is felt throughout the United Kingdom. That said, the Hastings and Battle area, and 1066 country more generally, has a fantastic tourist offer that will never be more relevant than this year and the next. I encourage the British Museum to strengthen its work with the 1066 country tourism board. I should note that the British Museum will host a briefing in Parliament on Wednesday 22 April to update all parliamentarians on the loan, the exhibition and the museum’s national programme of education and engagement. I encourage all interested colleagues to attend that, and to engage with the museum and with Lord Ricketts in the other place.

I very much look forward to seeing the tapestry in the British Museum. I hope that as many of the constituents of my hon. Friend the Member for Hastings and Rye as possible are able to see it, in particular schoolchildren, so that they can learn about the history of this country through this exceptional work and be inspired for the future. I urge visitors to the exhibition to follow their visit by going to see where it all happened in 1066 country, so that they see not only the tapestry, but the places themselves. I commend my hon. Friend for bringing this debate to the Chamber.